For Keith Haring the line separating fine art and ephemera was thin. His meteoritic career was marked by an unrelenting succession of works cutting across every medium and category of art, but his approach to making art was remarkably consistent whether he was making a large outdoor mural, a commercial…
Poster for “Future Primeval” at the Queens Museum, 1990
For Keith Haring the line separating fine art and ephemera was thin. His meteoritic career was marked by an unrelenting succession of works cutting across every medium and category of art, but his approach to making art was remarkably consistent whether he was making a large outdoor mural, a commercial…