“Magdalena 2” (1996), a Tate Gallery purchase, postcard, Tate Gallery, London, GB, 1996.
Marlene Dumas, Magdalena 2 (1996), Card, Tate Modern (London), 1996
Size: 4 x 5.75 Inches
Collections
Marlene Dumas: Fifty Years of Art Ephemera
Dumas’ primarily paints people, a subject with infinite possibilities that she explores from multiple perspectives depending on her mood. She often gravitates towards disgruntled, anguished and threatening subjects. She is fascinated by taboos, and likes to push boundaries.
Collections
Marlene Dumas: Fifty Years of Art Ephemera
Collections
Dumas’ primarily paints people, a subject with infinite possibilities that she explores from multiple perspectives depending on her mood. She often gravitates towards disgruntled, anguished and threatening subjects. She is fascinated by taboos, and likes to push boundaries.