Scott B & Beth B (Left) with cast members of The Offenders. (L to R) Diego Cortez, Lydia Lunch, Johnny O’Kane, Bill Rice, and Adele Bertei. Photograph by Marcia Resnick. 1979.
The upcoming MoMA retrospective of films by Beth B and Scott B, followed by a week of Beth B’s solo films, is the occasion for this repost of a Gallery 98 newsletter from last year. The MoMA screenings begin September 8.
From the Gallery 98 newsletter Archive – July 8, 2021If one wanted to encapsulate with a single work the spirit of the downtown art scene in the late 1970s, an appropriate choice might be Beth B & Scott B’s independent film The Offenders. A “savage satire” full of violence and nihilism, this low budget Super 8 film embodies the period’s do-it-yourself ethos, as well as, the fusion of art, music and club culture that animated the downtown scene.
The Offenders is set in a New York wasteland where some have accumulated great wealth and others live in desperate poverty having to turn to crime to survive. Part of the film’s appeal is it’s celebrity cast of downtown musicians and art-scene trendsetters like John Lurie, Lydia Lunch, Pat Place, Adele Bertie, Marcia Resnick, Bill Rice, Anna Sui, Diego Cortez, and Edit deAk.
Initially conceived as a 10-minute short, the film turned into an eight-week, shot-on-the-run serial that was screened weekly to cheering crowds at the club Max’s Kansas City. Beth B describes the process: “We scripted on Wednesday, cast and filmed on Thursday and Friday, processed the film and made posters over the weekend, edited on Monday, and screened the new sequences on Tuesday nights at Max’s.”
The Offenders was recently acquired and restored by the Museum of Modern Art with plans for a screening later this summer. Beth B’s most recent film Lydia Lunch – The War Is Never Over is currently playing nationally with a summer DVD in the works. Scott B also remains active in films as a principal at AntennaFilm in California.
Gallery 98 offers here posters and publicity stills connected with The Offenders. Learn more about the No Wave film scene of the 1970s and see more ephemera at our online exhibition “No Wave and Independent Film.”
