“Tronies: Marlene Dumas and the Old Masters,” Michael Sweerts “Head of a Woman” (1654) and Dumas’ “Delacroix, Woman” (1984), two cards, Haus der Kunst, Munich, GER, 2010

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“Tronies: Marlene Dumas and the Old Masters,” Michael Sweerts “Head of a Woman” (1654) and Dumas’ “Delacroix, Woman” (1984), two cards taped together by her gallerist Paul Andriesse, Haus der Kunst, Munich, GER, 2010

Size: 8.25 x 6 Inches

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Haus der Kunst Marlene Dumas Michael Sweerts

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Dumas’ primarily paints people, a subject with infinite possibilities that she explores from multiple perspectives depending on her mood. She often gravitates towards disgruntled, anguished and threatening subjects. She is fascinated by taboos, and likes to push boundaries.