Dumas’ primarily paints people, a subject with infinite possibilities that she explores from multiple perspectives depending on her mood. She often gravitates towards disgruntled, anguished and threatening subjects. She is fascinated by taboos, and likes to push boundaries.
“Stripping Girls,” card for exhibition by Dumas and Anton Corbijn, Theatermuseum, Amsterdam, NL, 2000
Dumas’ primarily paints people, a subject with infinite possibilities that she explores from multiple perspectives depending on her mood. She often gravitates towards disgruntled, anguished and threatening subjects. She is fascinated by taboos, and likes to push boundaries.